The Last Post

26 Jan

Greetings, all!

I hope everyone is well!

This will be the last post for this blog, as we had some shifts in the program and now no longer are a department.

 

Thanks for all the memories and may you keep on keepin’ on with your design!  I still keep my personal design blog Pear Pine Press on wordpress, so feel free to follow if you want to keep in touch.

 

Thanks for the past 6 years,

Prof. Redding 🙂

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Tumblr Blogs and Pinterest Pins

22 May

Below are your classmate links to Tumblr and Pinterest.

Bill Shatzer:  http://fan-for-art.tumblr.com

Shane Myers:  http://pinterest.com/driven2design/

Patti Koontz: http://pinterest.com/ztnookm/pins/

Michael McClung: http://pinterest.com/mcclmichael22/design-stuff/

John Forberger:  http://pinterest.com/lyfedesignz/

Carrie Bruchey: http://pinterest.com/rreddss/

Jessica Hische – Harrisburg this Thursday!

11 Mar

This Thursday the Society of Design in Harrisburg is presenting Jessica Hische at the Whitaker Center at 6:00 (starts at 7:00 be there early).  If you can make it to this event, I highly recommend it.  She is an amazing designer with fresh ideas to share.  

 

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Typography Paragraph

23 Jan

When they were gone, Elizabeth, as if intending to exasperate herself as much as possible against Mr. Darcy, chose for her employment the examination of all the letters which Jane had written to her since her being in Kent. They contained no actual complaint, nor was there any revival of past occurrences, or any communication of present suffering. But in all, and in almost every line of each, there was a want of that cheerfulness which had been used to characterise her style, and which, proceeding from the serenity of a mind at ease with itself and kindly disposed towards everyone, had been scarcely ever clouded. Elizabeth noticed every sentence conveying the idea of uneasiness, with an attention which it had hardly received on the first perusal. Mr. Darcy’s shameful boast of what misery he had been able to inflict, gave her a keener sense of her sister’s sufferings. It was some consolation to think that his visit to Rosings was to end on the day after the next—and, a still greater, that in less than a fortnight she should herself be with Jane again, and enabled to contribute to the recovery of her spirits, by all that affection could do.

She could not think of Darcy’s leaving Kent without remembering that his cousin was to go with him; but Colonel Fitzwilliam had made it clear that he had no intentions at all, and agreeable as he was, she did not mean to be unhappy about him.

While settling this point, she was suddenly roused by the sound of the door-bell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:

“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”

Elizabeth’s astonishment was beyond expression. She stared, coloured, doubted, and was silent. This he considered sufficient encouragement; and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well; but there were feelings besides those of the heart to be detailed; and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth which seemed due to the consequence he was wounding, but was very unlikely to recommend his suit.

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man’s affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience, when he should have done. He concluded with representing to her the strength of that attachment which, in spite of all his endeavours, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favourable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the colour rose into her cheeks, and she said:

“In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation.”

Production Design: Text Tutorial

9 Jan

Production Design Class:

 

Here is the tutorial I was discussing in class which may be of some inspiration for you on this project.

 

http://www.computerarts.co.uk/tutorials/design-classic-serif-poster

 

It is an interesting way to achieve various effects on not only your backer but your words.  I am recommending that you try it just to learn the techniques.

 

Design on,

C.

Picture 1

 

Production Design: Jabberwocky poem

8 Jan

For the Poetry Poster Project:

 

JABBERWOCKY

Lewis Carroll

(from Through the Looking-Glass and What Alice Found There, 1872)`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

 


“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!’
He chortled in his joy.

`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe. 

Logo Evolution

8 Jan

Digital Design Class:

 

Regarding our logo project, here is a great link for evolution of logo design.  Remember, we’re looking for classic and timeless with our logos.  

 

http://www.hongkiat.com/blog/logo-evolution/

 

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Design on,

C.